Butoh dance and dancer

dancing darts 
darknesses
darkness drapes
tense dancing
toward time
trashing dross tales

and I see
her shaking
the dance is
not the dancer
and pain is
realistic

The video clip above was the writing prompt in this workshop run by Eva, who has two texts on this blog.
Before today, I did not know anything about Butoh, a Japanese dance form. Ankoku Butō (暗黒舞踏) = the Dance of Darkness.

backsight: The last execution

Nahschuss / The Last Execution (2021)

Gosh, I had been meaning to do this for a long time: write a few sentences about a film I saw, a book I read, something I heard. And here we go, the first one:

This German film came out last year. I heard people talk about it, because this story was still in them. Metabolizing. It was screened yesterday in the Digital Gym, with English subtitles, so I went.

The sujet, based on historical events: The last death sentence in the 40 years of East German history. Executed. At close range. The closest range possible. In 1981. The East German Stasi killed one of their own.

For me, one of those films where I focused on the story, felt it, lived in it. The warped, inhumane manipulation of people in the Stasi and outside of it. Manipulating and being manipulated. Each on their own. Cleverly and brutally enmeshed. Soon after their greed sucked them into tentacles of the secret service. Horrific and human. In its weaknesses.

The film-making and acting must have been very good; I got gripped by the story, the characters, the tension. I saw David Striesow – here the commanding Stasi officer – in Ich bin dann mal weg / I am off then (2015), when he played the loveable Hape Kerkeling walking the Camino de Santiago. In Nahschuss, he is traumatized, empty, and nasty.

Highly recommended.